In this analysis, I seek to deduce broad correlations between certain 

words used in dialogue, and the chromatic shades employed in the very scenes.

This is an experimental project that tried to explore a quantitative link between

a movie's film text and its cinematography.

 

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Fight Club (1999) was chosen for this analysis as the colours used in

most scenes were either monochromatic or analogous. Hence, aggregating colours within each frame can be fairly representative of the palette used.